Curatorial

Edward G. Bulwer-Lytton’s idea that, “In life, as in art, the beautiful moves in curves,” (1942, p.618) reflects the model “Sinuous” as the beauty of this design is seen through the movement of curves. The artist has captured the idea of fluid form, through their interpretation of the two precedent images. The straight wire line, taken from the Alamillo Bridge, provides a strong base for the overall design. This is complimented by the curves inspired by the Concert Hall. Elements from the curvilinear precedent have been explored such as the repetition of curves and their change in direction. This design shows how the repeated curves twist around the wire and flow in a different direction. Interesting detail is formed from the overlap and direction of the curves, creating a central focus point showing the beauty through the movement of the curve, demonstrating the power of curvature.

 Due to the use of repetition and the curvy form of ‘Sinuous’ it would appear to be inspired by the18th Century Rococo. Rococo is a style that is well known for its illogical organic curves, which is portrayed through this model. The poly propylene accentuates the curves effectively. The different sized strips is an effective use of the material as the range of curves creates a nice flow with gaps in-between, this enables you to see through to the continuing curves. As it is a semi-translucent material, light can shine through highlighting the curves and the staggered off shoots to provide an ongoing fluid feel.

Precedent Images:

 Calatrava, S. (1992) Alamillo Bridge, Seville, Spain

Retrieved From: http://subtledesigner.blogspot.co.nz/2010/06/dallas-gets-calatrava-bridge.html

 Hadid, Z. (2009) Manchester Art Gallery Concert Hall

 Retrieved From: http://www.thenumber4.com/blog/2009/05/manchester-international-festival-with-manchester-art-gallery-concert-hall-by-zaha-hadid-architects/

 References:

 Bulwer-Lytton, E.G. (1942). What Will He Do With It?. Montana USA. Kessinger Publishing